Art Review, Enrique Castro-Cid, Yellow Contortion

22 May



One of the things that can drive me crazy when I talk to people about art is people who don’t know the difference between pretty things to hang on the wall and capital A Art.  To them a painting like this one would be more than pointless, it’s neither pretty, ignorable, nor meant to be part of a design.  What we get are two figures that look trapped in amber, their bodies all distorted and frozen.  or maybe if you took people and pressed them flat in a book, they’d look like this.

Disjointed, distortion are what Enrique Castro-Cid–and when looking at this, don’t you sometimes feel trapped and stretched out of shape from time to time?  What makes you feel this way?  Well, one explanation would be society, which demands that individuals change their shape to fit its needs.  The two figures seem to take this in different ways–the figure on the left seems to want to beat himself out of the painting, his arms flexed aggressively, the woman on the right looks to heaven in a pleading gesture.  In the meantime the yellow space around them is all scratched on, showing the white background peeking through.  That’s the odd thing about the yellow field–it seems to be the thing that traps them, but it’s also what gives them shape and definition.

In a way that yellow field seems to be shrinking and breaking down, and when that is gone, will the figures show up at all?  After all, they are largely made up of white (though they do have black outlines.)  Will they be less distorted, or more?  Can they function off the yellow field?

A very interesting painting, indeed.

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